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The Story of Medieval Weapons and Wounds

After our successful Images of Elizabeth project in 2008 the Royal Armouries approached Thomas Danby College, now Leeds City College to consider Medieval Weapons and Wounds.


Our Curator of Historic European Edged Weapons, Bob Woosnan Savage, gave an inspiring talk to the students on the realities of Medieval Warfare. Using his knowledge of the film world Bob also gave the students tips on creating old and new wounds, and the different kinds of wounds different weapons inflict on the body.
Students then had to research, plan and deliver the models and makeup for their assessment.


The results are outstanding! I really think that you get a good idea of what Medieval Warfare would have been like.

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    The War of Troy - (Tapestry)

    from Victoria & Albert Museum

    The War of Troy - (Tapestry)

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    The complex story of the wars between the Greeks and Trojans continues to fascinate, most recently portrayed in a Hollywood film, released in 2004. Sets of tapestries provided an ideal medium for the depiction of the legend. Many were produced in the 15th century, showing a version by the medieval poets, not the earlier account by the Greek poet Homer. Three scenes from the story are seen on this tapestry, on the left Queen Penthesilea comes with her Amazon warriors to join the Greeks and kneels before Priam at the gate of Troy, in the centre a battle between the Amazons and the Greeks, and on the right Pyrrhus being armed. It is thought that there were originally eleven tapestries, of which this example is the ninth. Some of the other tapestries survive and the original drawings are in the Louvre in Paris The tapestry is crammed with beautifully executed and lively scenes of battle, of kings, queens, princes, warriors and horses. Contemporary costume and armour, waving banners and a military tent are depicted in exquisite detail.

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    Once a jewel of the Victoria and Albert Museum, the War of Troy Tapestry was removed from exhibit twenty years ago "when it became too damaged to display." Now, after 4,000 hours of restoration, the tapestry will once again take a place of honor in the museum. (photos)
    The wool and silk tapestry, measuring 13ft by 23ft (4m by 7m), was originally woven between 1460 and 1490 in the Netherlands as part of an 11-piece set owned by Charles VIII of France. It depicts stories from the Trojan War. The restoration process included a wet cleaning in Belgium, fabric repair, and a a new linen lining. Frances Hartog, one of the conservators, said: "Before we started work, it looked like an old rag because so much of the original fabric had rotted away and there were huge patches of daylight where the fragile fibres had disintegrated."

    Search golden watches in that story!

    29 weeks 5 days ago

    A Medieval Battle scene.

    1 year 6 weeks ago

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    A Wounded Knight

    A Wounded Knight

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    Wounded, but fighting to the bitter end.

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      A Still Life!

      A Still Life!

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      Just a little scene setting. What's that....a decapitated head?

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        A Lost Finger or Two.

        A Lost Finger or Two.

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        Common injuries to the hands like this were found at the Towton Battlesite.

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            Begging For Mercy!

            Begging For Mercy!

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            Cut and stabbed, is he pleading for his life?

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              Been in the Wars Dear?

              Been in the Wars Dear?

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              Old and new wounds. Some wounds have blackened from age!

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                And the Women Suffered Too!

                And the Women Suffered Too!

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                A tale of loss and bereavement. How many scenes like these were there in the Wars of the Roses?

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                      An Arrow in the Eye! Oh No!

                      An Arrow in the Eye! Oh No!

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                      A gory depiction of a medieval soldier with wounds to neck and face. This depicts the reality of slashing swords and stabbing arrows.

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                        It's all right - She's Alive!

                        It

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                        Lost an arm and an eye, careless but true. This depiction of Medieval warfare in the making was all too horribly accurate!

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                          Lost an Arm?

                          Lost an Arm?

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                          This prosthetic was inspired by Tales from the Battle of Towton as told by our Curator of Historic European Edged Weapons, Bob Woosnan-Savage.

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                              Participating insitutions

                              The British MuseumImperial War MuseumNational Portrait GalleryNatural History MuseumRoyal Armouries MuseumSir John Soane's MuseumTateVictoria & Albert MuseumThe Wallace Collection

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